My Letters to the Editor: Re Street Artists, Soho Alliance, Gerson, Freed, Sweeney





Volume 78 / Number 4 - June 25 - July 1, 2008

To The Editor:
Having lived and worked in the Soho/Noho area for the past 35 years, I can say with virtual certainty that Robert Lederman and the street artists have done more (perhaps, unintentionally) to retain Soho’s “art scene feel,” than have all of the vocal detractors, civic groups and quasi-business improvement districts (Soho Alliance) combined. The galleries have mostly moved en masse to Chelsea, having been replaced by the most chichi of boutiques. The unrenovated lofts that once belonged to Soho’s longtime artist-residents — complete with dirty walls and a pulsing creative energy that could literally be felt in the streets below — now have been transformed into lavish, multimillion-dollar urban villas sold and rented to Hollywood’s acting elite.

I have witnessed Soho’s transformation during the last two or three decades, from an art neighborhood/art village that introduced so much new art and art trends into the most stylish strip mall in America.

If not for the street artists still there now, the closest one might come to an art installation would be in a window display in a boutique window.

I think the local residents and businesses that oppose the street artists need to get a grip and realize that complaining about street artists in Soho is like moving to the forest — and then ranting and raving that there are too many damn trees.

Yisroal Boaz Ginsberg





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Volume 78 / Number 2 - June 11 - 17, 2008 West and East Village, Chelsea, Soho, Noho, Little Italy, Chinatown and Lower East Side, Since 1933

The audacity of Gerson
To The Editor:
After having read through Council-man Gerson’s five new pieces of proposed vending legislation (three of which would directly affect street artists) submitted to the City Council two weeks ago, I am outraged at the proposals’ sheer audacity.

Having painted himself as a “First Amendment scholar with a proven record of support for free speech and the arts,” he submits a proposal (Intro No. 770) that “redefines” what is or is not First Amendment-protected material. The proposal attempts to eliminate all First Amendment protection from any art that has or might have a secondary “utilitarian use.”This myopic proposal would render some of the world’s most significant and important artworks, such as Duchamp’s “Bicycle Wheel,” Oppenheim’s “Fur-covered Cup,” Man Ray’s “Gift” and Picasso’s “Bull’s Head,” illegal to be sold on the streets of New York City and similarly would render these art-world geniuses “illegal vendors” subject to arrest and confiscation were they alive and selling these works today on the city’s streets.

It can only make sense when and if you understand the street-artist history and that Gerson’s No. 1 supporters are the Soho Alliance, whose director, Sean Sweeney, is quoted in The Villager as saying, “I would not want Picasso selling in front of my building” (“Police descend on Soho,” news article, April 10, 2002).It must simply boil down to be a case of Gerson giving his “handlers” what they bought and paid for.

Knut MascoMasco is a member, A.R.T.I.S.T (Artists’ Response to Illegal State Tactics)

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The Villager

Volume 77 / Number 52 - May 28 - June 3, 2008 West and East Village, Chelsea, Soho, Noho, Little Italy, Chinatown and Lower East Side, Since 1933

A new ‘Apprentice’?
To The Editor: Re “B.S.A. backs Trump Soho, setting stage for lawsuit” (news article, May 7):

This fight strikes me as eerily familiar to the opposition that the Soho Grand and Mercer hotels faced back in the mid-’90s. Sounds like the Donald has simply failed to come across with the proper “tribute” monies to the Soho Alliance as of yet, to quell their thirst for blood.

Perhaps if the Donald did, or if he were to, let’s say, offer Sean Sweeney a role as “The Apprentice,” this could all blow over and he might even find himself on the steering community of the Soho Alliance — just as the Mercer’s Andre Balazs did — rather than in court.

Yisroal Boaz Ginsberg



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Downtown Express
Volume 21, Number 3 THE NEWSPAPER OF LOWER MANHATTAN May 30 - June 5, 2008
Letters to the Editor-Donald’s new ‘Apprentice’?

To The Editor: Re “B.S.A. backs Trump Soho, setting stage for lawsuit” (news article, May 9 -15)

This fight strikes me as eerily familiar to the opposition that the Soho Grand and Mercer hotels faced back in the mid-’90s. Sounds like the Donald has simply failed to come across with the proper “tribute” monies to the Soho Alliance as of yet, to quell their thirst for blood.

Perhaps if the Donald did, or if he were to, let’s say, offer Sean Sweeney a role as “The Apprentice,” this could all blow over and he might even find himself on the steering community of the Soho Alliance — just as the Mercer’s Andre Balazs did — rather then in court.

Yisroal Boaz Ginsberg



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Downtown Express
Volume 20, Number 52 THE NEWSPAPER OF LOWER MANHATTAN MAY 9 - 15, 2008 Keep it Freed-free To The Editor:Re “Here comes the judge? Freed may go for broke in Council race” (news article, April 25 – May 1):

Am I supposed to feel bad that poor Judge Freed only makes $125,000 a year (more than double what most hard working people make a year) and can’t make the mortgage payments on her apartment in the East River Co-ops and getaway house Upstate?


Sounds to me like Judge Freed and long time sidekick Sean Sweeney (president of Downtown Independent Democrats and Soho Alliance) are nostalgic for the good old days. God help us all if Freed is re-elected to “her [throne] seat,” so she can once again go after all the things that make Lower Manhattan great, i.e. street artists, vendors, outdoor cafes, clubs, tourists, boutiques etc.

Knut Masco
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Here is the letter that I actually sent:

Letter to the Editor: Re: Here comes the judge? Volume 77,Number 47 April 23 - 29, 2008 By Josh Rogers

Am I supposed to feel bad - that poor Judge Freed only makes 125,000 a year ( more then double what most hard working people make a year) and can't make the mortgage payments on her apartment in the East River Co-ops and get-away house Up State ?

Sounds to me Like Judge Freed and long time side kick Sean Sweeney ( president of Downtown Independent Democrats and Soho Alliance) are nostalgic for the good old days. Days where they were able to fill there pockets in a double dipping shill game on the Residence and Galleries of Soho by pretending to be feverishly staunch opponents to large boutiques moving into the community, "strip-malling Soho",( Victories Secret , J Crew, Mercer Hotel, etc, etc, etc); raising untold amounts of cash in a fake attempt to stop them from moving in. Then turning around and shaking-down those very same boutique owners for untold amounts of payoff money to stop there rabid attacks.

G-d help us all if Freed is re-elected to "her (throne) seat" so she can once again go after all the things that make lower Manhattan great, i.e, Street Artists/ Vendors, Outdoor Cafes, Clubs,Tourists, Boutiques, etc,etc, etc .........

Knut Masco A.R.T.I.S.T

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Downtown Express
Volume 20, Number 51 THE NEWSPAPER OF LOWER MANHATTAN MAY 2 - 8, 2008 To The Editor:Re “Vendor bill still in the works” (Letters, April 25 – May 1):

I am a member of A.R.T.I.S.T. (Artists Response To Illegal State Tactics) and a plaintiff in both federal lawsuits that established artists’ full First Amendment rights when selling art in public spaces of N.Y.C.

I can speak from experience that it’s “First Amendment scholars” that the business improvement districts and wealthy landlord groups such as the Soho Alliance elicit and groom in hopes of defeating/overcoming or circumnavigating the aforementioned federal court rulings.

In 1993-97, it was Kathryn Freed (Lower Manhattan’s former councilmember), now a civil court judge, who spearheaded the arrests/confiscation policy against street artists; categorizing us as “illegal vendors” — “They’re parasites.” (Christian Science Monitor, July 14, 1994)

In 1998-2001, it was “First Amendment scholar” Thomas Rozinski (graduate of Harvard Law School, professor of law at the University of Michigan, Harvard University, Yeshiva University, and Baruch College and served seven years in the Giuliani administration as general counsel) who spearheaded the street artist arrests and confiscations in the N.Y.C. parks system.

Councilman Alan Gerson’s proposed vendor bill is the “Final Solution” to the street artist/ vendor “problem.” It is an affront that will — if passed — affect and diminish all people’s First Amendment rights, be it artists, citizens, tourists, and the free press of this city.

Knut Masco

Federal Court Case - Art in NYC Parks



Ruling Overturning Permit Requirement For Artists in NYC Parks:

Lederman et al v. Giuliani et al [Ruling overturning permit requirement for artists selling art in New York City Parks.] Lederman v. Giuliani [Robert Lederman, President of A.R.T.I.S.T. Artists' Response To Illegal State, Tactics robert.lederman@worldnet.att.net ] 2001 U.S. Dist. LEXIS 11567, * ROBERT LEDERMAN, KNUT MASCO, JACK NESBITT, WEI ZHANG, and A.R.T.I.S.T., Plaintiffs, -against- RUDOLPH GIULIANI, Mayor of the City of New York, in his individual and official capacities, CITY OF NEW YORK, NEW YORK CITY POLICE DEPARTMENT, HOWARD SAFIR, Commissioner of the New York City Police Department, in his individual and official capacities, NEW YORK CITY DEPARTMENT OF PARKS AND RECREATION, HENRY J. STERN, Commissioner of the Department of Parks and Recreation, in his individual and official capacities, OFFICE OF COURT ADMINISTRATION OF THE CITY OF NEW YORK, and OFFICER HAYNES, OFFICER E. RYAN, SERGEANT BROWN and SERGEANT ROSADO, in their individual and official capacities, and John Doe Nos. 1-10, Defendants. DEL-BOURREE BACH, MITCHELL BALMUTH, SUSAN BALMUTH, HENRY BARNARD, CYNTHIA BROWN, KRISTEN GARVER, PEDRO PACHECO, NIKOLAI PLAVSKI, TABORE RECTOR, PHILIP J. REILLY, JANET THOMAS, GI WANG, HUAN WANG, and ALEXANDER VERSTOV, Plaintiffs, -against- RUDOLPH GIULIANI, Mayor of the City of New York, in his individual and official capacities, CITY OF NEW YORK, NEW YORK CITY POLICE DEPARTMENT, HOWARD SAFIR, Commissioner of the New York City Police Department, in his individual and official capacities, NEW YORK CITY DEPARTMENT OF PARKS AND RECREATION, HENRY J. STERN, Commissioner of the Department of Parks and Recreation, in his individual and official capacities, SERGEANT ROSADO, in his individual and official capacity, ALEXANDER R. BRASH, in his individual and official capacity, and John Doe Nos. 1-10, Defendants. 98 Civ. 2024 (LMM), 98 Civ. 2400 (LMM) UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK 2001 U.S. Dist. LEXIS 11567 August 7, 2001, Decided August 10, 2001, Filed DISPOSITION: [*1] Defendants' motion for summary judgment granted in part and denied in part and plaintiffs' cross-motion for partial summary judgment granted. COUNSEL: For ROBERT LEDERMAN, KNUT MASCO, JACK NESBITT, WEI ZHANG, A.R.T.I.S.T., plaintiffs (98-CV-2024): Andrew T. Miltengerg, Nesenoff & Miltenberg, LLP, New York, NY. For RUDOLPH GIULIANI, CITY OF NEW YORK, NEW YORK CITY POLICE DEPARTMENT, HOWARD NEW YORK CITY POLICE COMMISSIONER, THE NEW YORK CITY DEPARTMENT OF PARKS AND RECREATION, HENRY J. STERN, OFFICER E. RYAN, SERGEANT ROSADO, defendants (98-CV-2024): Robin Binder, Michael D. Hess, Corporation Counsel, City of New York, New York, NY. For OFFICER HAYNES, SERGEANT BROWN, defendants (98-CV-2024): Nancy L. Eisenstein, Dennis C. Vacco, Attorney General of the State of N.Y., New York, NY. For DEL-BOURREE BACH, MITCHELL BALMUTH, SUSAN BALMUTH, HENRY BARNARD, CYNTHIA BROWN, KRISTEN GARVER, PEDRO PACHECO, NIKOLAI PLAVSKI, TABORE RECTOR, PHILIP J. REILLY, JANET THOMAS, GI WANG, HUAN WANG, ALEXANDER VERSTOV, GARY BERMAN, ROBERT BERY, LYNNE A. CRADDOCK, PATRICK CHRISTIANO, JESSICA LEAMAN, JOACHIM LOMBARD, MA KE LU, DAVID MCDERMOTT, JACKIE GARRICK-WALDMAN, HOWARD WALDMAN, plaintiffs (98-CV-2400): [*2] Paul A. Shneyer, Paul A. Shneyer, P.C., New York, NY. For DEL-BOURREE BACH, MITCHELL BALMUTH, SUSAN BALMUTH, HENRY BARNARD, CYNTHIA BROWN, KRISTEN GARVER, PEDRO PACHECO, NIKOLAI PLAVSKI, TABORE RECTOR, PHILIP J. REILLY, JANET THOMAS, GI WANG, HUAN WANG, ALEXANDER VERSTOV, plaintiffs (98-CV-2400): Carol Novack, New York, NY. For CITY OF NEW YORK, NEW YORK CITY DEPARTMENT OF PARKS AND RECREATION, defendants (98-CV-2400): Robin Binder, Paul A. Crotty, Corporation Counsel of the City of NY, New York, NY. JUDGES: LAWRENCE M. McKENNA, U.S.D.J. OPINIONBY: LAWRENCE M. McKENNA OPINION: MEMORANDUM AND ORDER MCKENNA, D.J. Before the Court are defendants' motion for summary judgment and plaintiffs' cross-motion for partial summary judgment. For the reasons set forth below, defendants' motion is granted in part and denied in part and plaintiffs' cross-motion is granted. I. Background Plaintiffs are visual artists and an organization comprised of approximately 400 artists, Artists' Response to Illegal State Tactics ("A.R.T.I.S.T."), who display and sell their artwork on the streets of New York City, including the area in front of the Metropolitan Museum of Art ("the Met"). Since March 1, 1998 art [*3] vendors selling their work without permits in front of the Met have been ticketed and arrested by officers of the New York City Police Department ("the NYPD") and the Parks Department and had their art confiscated. Plaintiffs cross-move for partial summary judgment that Title 56 of the Rules of the City of New York ("R.C.N.Y.") § 1-05(b), promulgated by the New York City Department of Parks and Recreation ("the Parks Department"), prohibiting vendors to operate without a permit either within the parks or on territory which is under the jurisdiction of the Parks Department, including the street and area abutting the Met, is unconstitutional under the First and Fourteenth Amendments of the United States Constitution, U.S. Const. amend. I, XIV, and Article I, sections Eight and Eleven of the New York State Constitution. N.Y. Const. art. 1, §§ 8, 11. Defendants oppose plaintiffs' cross-motion for partial summary judgment and move for summary judgment on plaintiffs' claim that statutes prohibiting the defacing or marking of sidewalks and public property, specifically New York City Administrative Code §§ 10-117 and 19-138, and 56 R.C.N.Y. § 1-04(a) ("the defacement provisions"), are unconstitutional [*4] under the First Amendment and Article 1, § 8 of the New York State Constitution as applied to the use of chalk and selectively enforced in violation of the Fourteenth Amendment and Article 1, § 11 of the New York State Constitution. Plaintiffs, particularly Robert Lederman ("Lederman"), have repeatedly been arrested for printing on the sidewalks with chalk as a method of protest. Finally, the City of New York ("the City") seeks summary judgment dismissing Lederman's 28 U.S.C. § 1983 claim that he was improperly arrested for disorderly conduct in front of The Cooper Union For the Advancement of Science and Art on May 27, 1998 ("the Cooper Union Arrest"). II. Legal Standard Summary judgment should be granted only "if the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law." Fed. R. Civ. P. 56(c). A dispute regarding a material fact is genuine "if the evidence is such that a reasonable jury could return a verdict for the nonmoving party." Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248, 91 L. Ed. 2d 202, 106 S. Ct. 2505 (1986). [*5] Once the moving party establishes a prima facie case demonstrating the absence of a genuine issue of material fact, the non-moving party has the burden of presenting "specific facts showing that there is a genuine issue for trial." Fed. R. Civ. P. 56(e). The non-moving party must "do more than simply show that there is some metaphysical doubt as to the material facts," Matsushita Elec. Indus. Co. v. Zenith Radio Corp., 475 U.S. 574, 586, 89 L. Ed. 2d 538, 106 S. Ct. 1348 (1986), and "may not rely on conclusory allegations or unsubstantiated speculation." Scotto v. Almenas, 143 F.3d 105, 114 (2d Cir. 1998). III. Discussion A. Parks Department Permit Requirement Section 1-05(b) makes it illegal to vend within the jurisdiction of the Parks Department without a permit. Plaintiffs seek a permanent injunction on First Amendment or Equal Protection grounds preventing the City from enforcing § 1-05(b) against vendors dealing in artwork ("art vendors"). In addition to surviving constitutional scrutiny under the First Amendment, § 1-05(b) must also be consistent with the statues and legislation that New York City has promulgated to govern the [*6] behavior and location of street vendors. The latter argument was considered in People v. Balmuth, 178 Misc. 2d 958, 681 N.Y.S.2d 439 (Crim. Ct. 1998), aff'd July 31, 2001 N.Y.L.J. 21 (App. Term 2001), where the court found § 1-05(b) as applied to art vendors selling art in front of the Met to violate the legislative intent of the relevant provision of the New York City Administrative Code. Plaintiffs argue that this Court should give preclusive effect to Balmuth, which arose out of the criminal prosecution of several of the same art vendors who are plaintiffs in the present case for selling their art in front of the Met without a permit in violation of § 1-05(b). Although this Court is unable to give the Balmuth decision preclusive effect, the Court finds Balmuth's analysis of the relevant vending statutes to be highly persuasive. 1. Balmuth Does Not Have Issue Preclusive Effect Issue preclusion or collateral estoppel is intended to prevent re-litigation of the same issue between parties who already have had an opportunity to try the issue in court. Federal courts must give the same preclusive effect to state court decisions [*7] as the courts of that same state would. 28 U.S.C. § 1738. This Court, therefore, must analyze what preclusive effect another New York State court would give to the Balmuth decision. Under New York State law several requirements must be met before issue preclusion can be applied. There must be "an identity of issue which has necessarily been decided in the prior action and is decisive of the present action" and "a full and fair opportunity to contest the decision now said to be controlling." Wilder v. Thomas, 854 F.2d 605, 620 (2d Cir. 1985) (quoting Schwartz v. Pub. Adm'r of Bronx, 24 N.Y.2d 65, 298 N.Y.S.2d 955, 960, 246 N.E.2d 725 (1969)). The "full and fair opportunity" requirement demands that the judgment to be given preclusive effect have been "decided against that party or those in privity." Ryan v. New York Tel. Co., 62 N.Y.2d 494, 478 N.Y.S.2d 823, 826, 467 N.E.2d 487 (1984). The parties in Balmuth and this case are not the same. In Balmuth, the prosecuting party is the People of the State of New York. In the present case, plaintiffs have sued the City of New York, the NYPD, the Parks Department, [*8] and several other City agencies, as well as officials and police officers in their individual capacities. n1 Before plaintiffs can assert issue preclusion successfully, they must show that the prosecutor in the Balmuth matter, the People of the State of New York, as represented by the New York County District Attorney's office, is in privity with the defendants in the present action. n2 - - - - - - - - - - - - - - - - - -Footnotes- - - - - - - - - - - - - - - - - - n1 In addition, not all plaintiffs in the present case were parties to Balmuth. n2 In Balmuth, Judge Billings addressed whether this Court's order denying a preliminary injunction in this matter had preclusive effect and found privity between the City agencies in this case and the prosecution in Balmuth. 681 N.Y.S.2d at 442. However, the Balmuth court's determination cannot be given preclusive effect. In order to have issue preclusive effect, a decision must have been necessary to the court's judgment. Wilder, 854 F.2d at 620. The issue decided also must have been material to the first action and essential to the decision. Jackson v. Ramundo, 1997 U.S. Dist. LEXIS 17035, No. 95 Civ. 5832, 1997 WL 678167, at *4 (S.D.N.Y. Oct. 30, 1997) (citing Fletcher v. Atex, Inc., 68 F.3d 1451, 1457 (2d Cir. 1995)). New York law holds that denial of a preliminary injunction is not an adjudication on the merits, and therefore the prior order in this case could not be given preclusive effect by the Balmuth court. 681 N.Y.S.2d at 442. Because Balmuth's finding of privity was ultimately irrelevant, and therefore not material, necessary, or essential to the decision, it cannot be given preclusive effect. - - - - - - - - - - - - - - - - -End Footnotes- - - - - - - - - - - - - - - - - [*9] There are several factors to consider when determining whether parties are in privity. One is whether "the connection between the parties is such that the interests of the nonparty can be said to have been represented in the prior proceeding." Green v. Santa Fe Indus., Inc., 70 N.Y.2d 244, 519 N.Y.S.2d 793, 514 N.E.2d 105. However, a non-party may also be bound by issues determined in a prior action if it "controls or substantially participates in the control of the representation on behalf of a party." United States v. Davis, 906 F.2d 829, 833 (2d Cir. 1990). Although the pleadings suggest that the Parks Department had a significant role in prosecuting Balmuth, (Pls.' Supp. Mem. at 5; Ex. 1), a number of cases have held that substantial control is not enough to create privity between the District Attorney and other municipal entities. In Brown v. City of New York, 60 N.Y.2d 897, 470 N.Y.S.2d 573, 458 N.E.2d 1250 (1983), the Court of Appeals held that "the city and the District Attorney are separate entities and . . . do not stand in sufficient relationship to apply the doctrine." 470 N.Y.S.2d at 574. The Brown Court did suggest [*10] that there might be a situation where the two entities would stand in a sufficient relationship to create privity. Id. However, no court applying Brown to facts similar to those in the instant case has found privity. In Taveras v. City of New York, 222 A.D.2d 338, 635 N.Y.S.2d 608 (App. Div. 1995) and Saccoccio v. Lange, 194 A.D.2d 794, 599 N.Y.S.2d 306 (App. Div. 1993), the Appellate Division interpreted Brown to hold that the District Attorney's office and the City of New York (and other municipal entities) do not stand in sufficient relationship to each other to create privity and allow issue preclusion. Taveras, 635 N.Y.S.2d at 608-09; Saccoccio, 599 N.Y.S.2d at 306; see also Doe v. City of Mt. Vernon, 156 A.D.2d 329, 548 N.Y.S.2d 282, 283 (App. Div. 1989); People v. Morgan, 111 A.D.2d 771, 490 N.Y.S.2d 30, 31 (App. Div. 1985); Nelson v. Dufficy, 104 A.D.2d 234, 482 N.Y.S.2d 511, 513 (App. Div. 1984); People v. Batista, 158 Misc. 2d 985, 602 N.Y.S.2d 774, 776-77 (Sup. Ct. 1993). Therefore, the Court holds that there is no privity between [*11] defendants in the immediate case and the prosecution in Balmuth, and thus, Balmuth cannot be given preclusive effect. Thus, this Court must address whether the enforcement of the Parks Department regulation § 1-05(b) against art vendors conflicts first with New York City Administrative Code, Title 20, subchapter 27, §§ 20-452 through 20-474.3, and, second, if necessary, with the right to free speech and equal protection found in the New York State and United States Constitutions. 2. Standard of Review for Regulations Promulgated by Administrative Agencies Administrative agencies, including the Parks Department, "can only promulgate rules to further the implementation of the law as it exists; they have no authority to create a rule out of harmony with the statute." Jones v. Berman, 37 N.Y.2d 42, 371 N.Y.S.2d 422, 429, 332 N.E.2d 303 (1975). On the other hand, "it is settled law that an agency's interpretation of the statutes it administers must be upheld absent demonstrated irrationality or unreasonableness." Seittelman v. Sabol, 91 N.Y.2d 618, 674 N.Y.S.2d 253, 256, 697 N.E.2d 154 (1998) (citation omitted). Where "the question [*12] is one of pure statutory reading and analysis, dependent only on accurate apprehension of legislative intent, there is little basis to rely on any special competence or expertise of the administrative agency." Id. (quoting Kurcsics v. Merchants Mut. Ins. Co., 49 N.Y.2d 451, 426 N.Y.S.2d 454, 459, 403 N.E.2d 159 (1980)). "In such a case, courts are 'free to ascertain the proper interpretation from the statutory language and legislative intent.'" Id. (quoting In re Gruber, 89 N.Y.2d 225, 652 N.Y.S.2d 589, 593, 674 N.E.2d 1354 (1996)). 3. The Relevant Statutes Governing Vendors All vendors are governed by New York City Administrative Code, Title 20, subchapter 27, §§ 452 through 474.3. Although there are several provisions that exempt vendors dealing in newspapers, periodicals, books, pamphlets and other similar written matter ("book vendors") from permit requirements, subchapter 27 does not similarly exempt art vendors. Administrative Code § 453 requires all vendors in New York City to obtain a license, but exempts book vendors pursuant to Local Law of the City of New York No. 33 (1982) ("Local Law 33"). Administrative Code [*13] § 465(j) imposes an additional restriction on all vendors operating in Parks Department territory: No general vendor shall vend within the geographical areas under the jurisdiction of the department of parks and recreation unless written authorization therefor has been obtained from the commissioner of such department, but nothing therein contained shall exempt any general vendor from obtaining a license in accordance with this subchapter. However, this permit requirement is also subject to an exemption for vendors of written material, set out in Administrative Code § 473, which states that: General vendors who exclusively vend written matter are exempt from . . . subdivision j of section 20-465, except that nothing herein shall be construed to deprive the commissioner of the department of parks and recreation of the authority to regulate the vending of written matter in a manner consistent with the purpose of the parks and the declared legislative intent of this subchapter. Thus, vendors of written material are exempt from all licensing or permit requirements, except that if they vend within the jurisdiction of the Parks Department, they may be subject [*14] to regulations "consistent with the purpose of the parks and the declared legislative intent" of subchapter 27. In Bery v. City of New York, 97 F.3d 689 (2d Cir. 1996), cert. denied, 520 U.S. 1251, 138 L. Ed. 2d 174, 117 S. Ct. 2408 (1997), the Second Circuit addressed whether the City could require art vendors to obtain a license to sell their goods under Administrative Code § 453. The Bery Court determined that "visual art is as wide-ranging in its depiction of ideas and emotions as any book, treatise, pamphlet or other writing" and held that artwork was entitled to the same First Amendment protection as written material. Id. at 695. Sale of such protected material is also protected by the First Amendment, id. at 695-96 (citing Lakewood v. Plain Dealer Pub. Co., 486 U.S. 750, 756 n.5, 768, 100 L. Ed. 2d 771, 108 S. Ct. 2138 (1988)), and under the Equal Protection Clause of the Fourteenth Amendment art vendors and book vendors must be treated the same. See 97 F.3d at 699. Following Bery, therefore, art vendors are subject to only those vending restrictions which are applicable to book vendors. [*15] Thus, in order for any Parks Department regulation affecting the ability of art vendors to vend to be valid, it must meet both conditions set forth in Administrative Code § 473, consistency with the purpose of the parks and the legislative intent of subchapter 27. 4. On Its Face, 56 R.C.N.Y. § 1-05(b) Is Valid Because It Does Not Necessarily Impose Licensing Requirements on Art Vendors Section 1-05(b) was enacted by the Parks Department pursuant to New York City Charter § 533(a)(9) which grants the Commissioner of the Parks Department the authority "to establish and enforce rules and regulations for the use, government and protection of public parks and of all property under the charge or control of the department." N.Y. City Charter § 533(a)(9). New York City Charter § 533(a)(5) places "all streets and avenues lying within any park . . . or within a distance of three hundred fifty feet from the outer boundaries thereof" within the jurisdiction of the Parks Department, which includes the Met. N.Y. City Charter § 533(a)(5). Section 1-05(b) requires all vendors operating on Parks territory to obtain a permit: No person in any park, or street adjacent to or [*16] abutting a park (including all public sidewalks of such abutting streets) shall sell, offer for sale, hire, lease or let anything whatsoever, except under and within the terms of a permit, or except as otherwise provided by law. By their terms, both Administrative Code § 465(j) and § 1-05(b) impose licensing requirements on all vendors operating in Parks Department territory. n3 As applied to vendors who do not deal in books or art, there is no conflict between subchapter 27 and § 1-05(b). As a result, § 1-05(b) is valid as enforced against most vendors. Further, because § 1-05(b) does allow vending without a permit "as otherwise provided by law," the regulation is not automatically in conflict with the statutory exemptions for book vendors and, pursuant to Bery, art vendors contained in Administrative Code §§ 453 and 473. Any statutory provision excusing book and art vendors from the permit requirement would fall under the "otherwise provided by law" clause. Therefore, as stated by the Balmuth court, "the issue . . . is specifically whether the regulation is lawful as enforced against [plaintiff art vendors], in requiring them to have a permit to sell or offer for [*17] sale their artwork . . . on City parkland along Fifth Avenue." 681 N.Y.S.2d at 443. Thus, the Court must examine whether the enforcement of a licensing requirement pursuant to § 1-05(b) against art vendors is "consistent with the purpose of the parks and the declared legislative intent" of subchapter 27 as necessary under Administrative Code § 473. - - - - - - - - - - - - - - - - - -Footnotes- - - - - - - - - - - - - - - - - - n3 By "licensing," the Court includes any license, permit, or authorization requirement. Although Local Law 33 uses the words "licensing requirements" and § 1-05(b) uses the word "permit," there does not appear to be any difference or distinction in the use of the words, and they are effectively interchangeable. - - - - - - - - - - - - - - - - -End Footnotes- - - - - - - - - - - - - - - - - 5. The Enforcement of 56 R.C.N.Y. § 1-05(b) Against Art Vendors Violates Administrative Code § 473 Local Law 33 provides the legislative intent underlying Administrative Code § 473 specifically and subchapter 27 generally, with respect to the regulation of book vendors in New York City. The heading of Local Law 33 is: To amend [*18] the administrative code of the city of New York, in relation to the exemption from licensing of vendors of newspapers, periodicals, books, pamphlets and other similar written matter, and the regulation of such vendors. L.L. 33/1982. The New York City Council made the following legislative declaration, in enacting Administrative Code § 473: It is consistent with the principles of free speech and freedom of the press to eliminate as many restrictions on the vending of written matter as is consistent with the public health, safety and welfare. The council further finds and declares that general vendors who exclusively vend written matter should be free from licensing requirements. It is further found and declared that general vendors who exclusively vend written matter with the aid of small portable stands should be exempted from restrictions on the time, place and manner of their vending activity insofar as such exemption does not constitute a threat to the public health, safety or welfare. Id. § 1 (emphasis added). Thus, the legislative intent is that book vendors "should be free from licensing requirements," id., without provision for exceptions. If any [*19] uncertainty remained, conditions and exceptions regarding the regulation of book vendors in other ways emphasize the unconditional nature of the prohibition on licensing requirements. The first sentence of Local Law 33, § 1 states that the public health, safety and welfare are the relevant considerations when placing restrictions on book vendors. Id. The next sentence, however, identifies "licensing requirements" as an impermissible form of restriction, without exception for public health, safety and welfare concerns. Id. Thus, although time, place and manner restrictions may be imposed to benefit public health, safety and welfare, licensing requirements are never permissible on book vendors. As explained above, this legislative intent and regulatory scheme must apply equally to art vendors and book vendors. See Bery, 97 F.3d at 699. As a result, an exemption for both book and art vendors must be read into the "otherwise provided by law" clause in § 1-05(b). Section 1-05(b)'s permit requirement cannot be legally enforced against art vendors, or indeed, against book vendors. Having determined that such enforcement is not valid under existing New York City [*20] statutes, it is not necessary for this Court to consider the validity of the licensing requirement under either the United States or New York State Constitutions. Plaintiffs' cross-motion for partial summary judgment is granted. B. The Defacement Provisions Plaintiffs make two claims with respect to the defacement provisions. n4 First, that they violate the First Amendment and Article 1, § 8 of the New York State Constitution because they are "prior restraints on constitutionally protected speech" which are "overbroad and vague," particularly as applied to the use of chalk. (Am. Compl. PP 179-85, 190-91.) Second, that plaintiffs' arrests for the violation of the defacement provisions evidence a policy of selective enforcement which has created "favored and unfavored categories of speakers" (Am. Compl. PP 186-89, 192-197) in violation of the Fourteenth Amendment and Article 1, § 11 of the New York State Constitution. - - - - - - - - - - - - - - - - - -Footnotes- - - - - - - - - - - - - - - - - - n4 There are three provisions at issue. Administrative Code § 10-117 provides, in relevant part: a. No person shall write, paint or draw any inscription, figure or mark of any type on any public or private building or other structure or any other real or personal property owned, operated or maintained by a public benefit corporation, the city of New York or any agency or instrumentality thereof or by any person, firm, or corporation, or any personal property maintained on a city street or other city-owned property pursuant to a franchise, concession or revocable consent granted by the city, unless the express permission of the owner or operator of the property has been obtained. . . . f. Any person who violates the provisions of this section shall be guilty of a class B misdemeanor punishable by a fine of not more than five hundred dollars or imprisonment of not more than three months, or both. g. In addition to the criminal penalties imposed pursuant to subdivision f of this section, a person who violates the provisions of subdivision a, b, c or d of this section shall be liable for a civil penalty of not more than five hundred dollars for each violation which may be recovered in a proceeding before the environmental control board. Such proceeding shall be commenced by the service of a notice of violation returnable before such board. Administrative Code § 19-138 provides, in relevant part: b. Defacing. Except as otherwise provided by law, it shall be unlawful for any person to deface any street by painting, printing or writing thereon, or attaching thereto, in any manner, any advertisement or other printed matter. 56 R.C.N.Y. § 1-04(a) provides: (a) Destruction or abuse of property and equipment. No person shall injure, deface, alter, write upon, destroy, remove or tamper with in any way, any real or personal property or equipment owned by or under the jurisdiction or control of the [Parks] Department. - - - - - - - - - - - - - - - - -End Footnotes- - - - - - - - - - - - - - - - - [*21] Plaintiffs' response to defendants' summary judgment motion on the selective enforcement claim is a request for a continuance of discovery. Plaintiffs allege that there was an arrangement between the parties that discovery on issues other than the Parks Department permit requirement would be postponed. (Fierman Decl. PP 4-43; Shneyer Decl. PP 3-5.) Defendants do not deny that such an agreement was made. Because the manner in which the provisions were enforced may create a genuine issue of material fact following discovery, the Court denies defendants' motion for summary judgment on the claim of selective enforcement of the defacement provisions and grants plaintiffs' request for a continuance of discovery. With respect to plaintiffs' claim that the defacement provisions violate the First Amendment and Article 1, § 8, defendants argue that the defacement provisions are valid, content-neutral requirements that are narrowly tailored to serve a significant government interest and allow ample alternative channels for communication. (Defs.' Mem. at 25.) Defendants claim that the provisions "make no distinction based on the content of any written expression" and are thus content-neutral [*22] on their faces. (Id.) They also argue that the protection of public property from damage and visual blight is a significant government interest, and that the manner of defacement is irrelevant. (Id.) Plaintiffs do not respond to defendants' argument. Even if, read broadly, plaintiffs' argument for a discovery continuance was intended to delay summary judgment on the constitutionality of the defacement provisions, the argument would fail. As the facial validity of the defacement provisions is a matter of law, not of fact, additional discovery would have no bearing on this matter. Therefore, defendants' motion for summary judgment is granted on plaintiffs' free speech claim with respect to the defacement provisions. C. The Cooper Union Arrest For the reasons described above with respect to the defacement provision arrests, the Court also grants a continuance of discovery in the matter of the Cooper Union arrest. Lederman, having alleged that he was improperly arrested as a result of being "targeted" by the Giuliani Administration (Am. Compl. P 198), should have an opportunity to seek discovery on this matter. IV. Conclusion Defendants' motion for summary judgment [*23] is denied and plaintiffs' cross-motion for summary judgment is granted with respect to the enforcement of 56 R.C.N.Y. § 1-05(b). Defendants' motion for summary judgment is granted with respect to plaintiff's free speech claim regarding the defacement provisions and denied with respect to plaintiffs' equal protection claims arising from the Cooper Union arrest and the arrests pursuant to the defacement provisions. Plaintiffs are granted an extension of discovery until October 31, 2001 regarding the arrests. SO ORDERED. DATED: August 7, 2001 LAWRENCE M. McKENNA U.S.D.J. Citation: 2001 US Dist Lexis 11567

Federal Court Case - Art on NYC Sidewalks




Writ of certiorari for city defendants denied-

Bery/Lederman v. City of New York
[Street artists overturn license requirement for the selling of artwork on the streets of New York City.] UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT Nos. 1620, 1621, 1782 August Term 1995 (Argued: April 26, 1996 Decided: October 10, 1996 ) Docket Nos. 95-9089 (L), 95-9131, 96-7137 ________________________________________________________________________ , ROBERT LEDERMAN, JODI BOGUS, KNUT MASCO, ALEXIS PORTILLA and ARTHUR ROBINS, Plaintiffs-Appellants, v. CITY OF NEW YORK; RUDOLPH GIULIANI, Mayor, City of New York; WILLIAM BRATTON, Chief, New York City Police Department; ROBERT MORGENTHAU, District Attorney-New York County; RICHARD A. BROWN, District Attorney-Queens County; WILLIAM L. MURPHY, District Attorney-Richmond County; CHARLES H. HYNES, District Attorney-Kings County; ROBERT F. JOHNSON, District Attorney-Bronx County; ALFRED C. CERULLO, III, Commissioner of New York City Department of Consumer Affairs; NEW YORK CITY DEPARTMENT OF CONSUMER AFFAIRS; HENRY J. STERN, Commissioner, New York City Department of Parks & Recreation; MARILYN GELBER, Commissioner of the New York City Department of Environmental Protection of the City of New York; ENVIRONMENTAL CONTROL BOARD OF THE CITY OF NEW YORK and ANNE J. MCCARTHY, Executive Director of the Environmental Control Board of the City of New York, in her individual and official capacities, Defendants-Appellees. -------------------------------------------------------------------------------- Before: MAHONEY and VAN GRAAFEILAND, Circuit Judges, and CARTER, District Judge. 1 Appeal from a judgment entered in the United States District Court for the Southern District of New York, Miriam Goldman Cedarbaum, Judge, denying motions to enjoin enforcement of the General Vendors Law, § 20-452 et seq. of the Administrative Code of the City of New York, on the grounds that the complained enforcement was prohibited by neither the First Amendment nor the Equal Protection Clause of the Fourteenth Amendment to the Constitution of the United States. Reversed. CAROL NOVACK, New York, NY NOAH A. KINIGSTEIN, New York, NY for Bery Plaintiffs-Appellants WAYNE A. CROSS, New York, NY (Randall M. Fox, New York, NY Dewey Ballantine, New York, NY) for Lederman Plaintiffs-Appellants ELIZABETH I. FREEDMAN, New York, NY (Paul A. Crotty, New York, NY Corporation Counsel of the City of New York, Leonard Koerner, Robin Binder, Assistant Corporation Counsels) for Defendants-Appellees City of New York (Marjorie Heins, Arthur Eisenberg, New York, NY, for Amici Curiae American Civil Liberties Union, New York Civil Liberties Union, The New York Foundation for the Arts and The New York City Arts Coalition.) (Gloria C. Phares, Geoffrey L. Thomas, Marc E. Kenny, Paul, Hastings, Janofsky & Walker, New York, NY, for Amici Curiae Chuck Close, Ronald Feldman, David Hammons, Hans Haacke, Jenny Holzer, Lucy Lippard, Claes Oldenburg, Irving Sandler, Simon Schama, Coosje Van Bruggen, The college Art Association, The Museum of Modern Art and The Whitney Museum of American Art.) (Shelly S. Friedman, Irving J. Gotbaum, Scott E. Goldsmith, Freedman & Gotbaum, New York, NY for Amici Curiae The Fifth Avenue Association, Inc., The Alliance for Downtown New York, Inc., The Grand Central Partnership, Inc., The 34th Street Partnership, Inc., The Madison Avenue Business Improvement District and The Soho Alliance.) CARTER, District Judge: Appellants Robert Bery et al. (94 Civ. 4253) and Robert Lederman et al. (94 Civ. 7216), in separate actions below, sought by motions for a preliminary injunction to enjoin enforcement of the General Vendors Law, § 20-452 et seq. of the Administrative Code of the City of New York ("General Vendors Law"), which bars visual artists from exhibiting, selling or offering their work for sale in public places in New York City without first obtaining a general vendors license. Appellees City of New York and various municipal bodies and officials charged with administration and enforcement of the General Vendors Law ("the City") opposed the motions. The district court denied the motions; both sets of appellants appeal. Background Appellants are individual artists engaged in painting, photography and sculpture and an artists' advocacy organization, Artists for Creative Expression on the Sidewalks of New York. The individual artists have been arrested, threatened with arrest or harassed by law enforcement officials for attempting to display and sell their creations in public spaces in the City without a general vendors license. Some have had their art work confiscated and damaged. At least one asserts a desire to sell and display her art on the sidewalks of New York but has not done so for fear of arrest and destruction of her work. The Bery appellants commenced their action on June 9, 1994, with the filing of a summons and complaint. The Lederman complaint was filed on October 5, 1994. Both sets of plaintiffs subsequently moved for a temporary restraining order and preliminary injunction. On October 24, 1995, the district court issued its memorandum and order jointly denying the motions for preliminary injunction in both actions, and on October 26, 1995, filed an amended opinion reported at 906 F. Supp. 163. By order of this court dated December 13, 1995, the actions were consolidated on appeal. The General Vendors Law contains regulatory provisions concerning the sale or offering for sale of non-food goods and services in public spaces in the City of New York. Pursuant to § 20-452(b) of the Administrative Code of the City of New York ("Administrative Code"), a person who "hawks, peddles, sells, leases or offers to sell or lease, at retail, [non-food] goods or services. . . in a public space" is a general vendor. Public space is defined as "[a]ll publicly owned property between the property lines on a street as such property lines are shown on the City Record including . . . a park, plaza, roadway, shoulder, tree space, sidewalk or parking space between such property lines. . . . [as well as] publicly owned or leased land, buildings, piers, wharfs, stadiums and terminals." Administrative Code § 20-452(d). At issue in the present case is § 20-453 of the General Vendors Law, a provision which initially required a license for all general vendors who sought to sell non-food goods or services in public spaces in the City. In 1982, Local Law 33 was enacted amending § 20-453 to exempt from the licensing requirement vendors of newspapers, books and other written matter. L.L. 33/1982. In enacting the amendment, the City Council described the new provision as consonant with the "principles of free speech and freedom of the press." Id. at §1. In 1979, § 20-459(a) of the Administrative Code was amended by Local Law 50 to limit the total number of licenses in effect at any given time to the number of licenses in effect on September 1, 1979. L.L. 50/1979. The number at that time was 853. However, that limitation rests on a slippery slope, since any veteran who qualifies for a vending license must be issued one. New York State General Business Law § 32 (McKinney 1994). As of the present, 340 such licenses over and above the 853 cut-off number have been issued to veterans, making a total of 1,193 general vendors licenses in effect. Violators of the licensing requirement are guilty of a misdemeanor punishable by fine and/or imprisonment and civil penalties. See Administrative Code § 20-472(a) and (c)(1). If criminally convicted, the violator is subject to a fine of not less than $250 nor more than $1000 and/or imprisonment of up to three months. Administrative Code § 20-472(a). If found civilly liable, the violator may be fined not less than $250 nor more than $1000, together with a fine of $250 for each day of the unlicensed activity. Administrative Code § 20-472(c)(1). In addition, police officers are authorized to seize the items being sold and the seized items are subject to forfeiture. Administrative Code §§ 20-468 and 20-472(a). Administrative Code §§ 20-465(a), (b), (e), (f), (k), (m), (n), and (q) restrict the placement, location and size of vending displays and prohibit vending where an authorized city employee has given notice that exigent circumstances require the vendor to move. These regulations are applicable to all general vendors, including vendors of exclusively written matter. Vending, except for written matter, in a park is barred without written authorization from the Department of Parks and Recreation, Administrative Code § 20-465(j); it is also banned from certain commercial zoning districts and in a delineated section of midtown Manhattan. Administrative Code § 20-465(g). District Court's Determination The district court denied appellants' motions for preliminary injunctions, dealing with both motions in a joint decision issued in amended form on October 26, 1995. See Bery v. City of New York, 906 F. Supp. 163 (S.D.N.Y. 1995) (Cedarbaum, J.). The court ruled that the General Vendors Law was a content-neutral municipal ordinance of general application which violated neither the First nor the Fourteenth Amendment, although its incidental effect was to restrict the sale of art on the sidewalks of New York. The limitation of 853 licenses in effect at a given time, a waiting list of between 500 and 5,000 applicants, a waiting time of between 3-5 years to secure a license 2 and the absence of any of the appellants' names on the waiting list did not cause the court to modify this conclusion. Stating that "[t]he precise nature of First Amendment protection for painting and sculpture with no verbal elements has not been addressed by the federal courts," the district court likened appellants' "fine art" to "applied or decorative art" and found that it rated only limited constitutional protection, in the absence of evidence of government censorship. The court found neither censorship nor animus towards artists as a motivation behind the enactment of the ordinance by the City Council. It thus deemed the ordinance content-neutral and subjected it to a more lenient level of scrutiny than would have been required had it been content-based. Id. at 168. Applying the standard enunciated in United States v. O'Brien, 391 U.S. 367, 376-77 (1968), the court found the provision furthered a public interest unrelated to the suppression of free speech that would be achieved less effectively absent the regulation. Id. The prohibition on the sale of art on the streets without a general vendors license, the court found, was appropriately designed to deal with the problem of street congestion. Id. The court did not address the question of whether alternative channels of expression remained open to appellants. The court reasoned that words expressing "political or religious views are much closer to the heartland of First Amendment protection of 'speech' than the apolitical paintings in these cases." Id. at 169. Based on this premise, the court found the City's exemption of the sellers of written matter from the licensing requirement a rational determination consonant with the requisites of the Equal Protection Clause of the Fourteenth Amendment. Id. at 170. Thus, the court denied appellants' motions for a preliminary injunction on both First Amendment and Equal Protection grounds. Id. Standards This court reviews the district court's denial of appellants' preliminary injunction motions with an abuse of discretion standard. Reuters Ltd. v. United Press Int'l, Inc., 903 F.2d 904, 907 (2d Cir. 1990). "An abuse of discretion exists when the district court has made an error of law or of fact." Id. (citations omitted). In the present case, since appellants seek vindication of rights protected under the First Amendment, we are required to make an independent examination of the record as a whole without deference to the factual findings of the trial court. Bose Corp. v. Consumers Union of United States, 466 U.S. 485, 499 (1984); Hurley v. Irish-American Gay, Lesbian and Bisexual Group of Boston, __U.S.__, 115 S. Ct. 2338, 2344 (1995). Such a "fresh examination of crucial facts" is necessary even in the face of the "clearly erroneous" standard of factual review set forth in Rule 52(a), F.R. Civ. P. Hurley, 115 S. Ct. at 2344. In order to justify the award of a preliminary injunction, the moving party must first demonstrate that it is likely to suffer irreparable harm in the absence of the requested relief. Sperry Int'l Trade, Inc. v. Government of Israel, 670 F.2d 8, 11 (2d Cir. 1982). Violations of First Amendment rights are commonly considered irreparable injuries for the purposes of a preliminary injunction. See, e.g., Elrod v. Burns, 427 U.S. 347, 373 (1976) ("[t]he loss of First Amendment freedoms, for even minimal periods of time, unquestionably constitutes irreparable injury"); 11A Charles A. Wright, Arthur R. Miller and Mary Kane, Federal Practice and Procedure, § 2948.1 at 161 (2d ed. 1995) ("[w]hen an alleged deprivation of a constitutional right is involved, most courts hold that no further showing of irreparable injury is necessary"). By the very nature of their allegations, then, appellants have met the first prong of the test. Ordinarily, the movant then has two options: it must either demonstrate a likelihood of success on the merits or it must raise "sufficiently serious questions going to the merits to make them a fair ground for litigation and a balance of hardships tipping decidedly toward the party requesting the preliminary relief." Sperry Int'l Trade, Inc., 670 F.2d at 11, citing Jackson Dairy, Inc. v. H.P. Hood & Sons, Inc., 596 F.2d 70, 72 (2d Cir. 1979) (per curiam). However, in a case in which "the moving party seeks to stay governmental action taken in the public interest pursuant to a statutory or regulatory scheme," the injunction should be granted only if the moving party meets the more rigorous likelihood-of-success standard. Plaza Health Laboratories, Inc. v. Perales, 878 F.2d 577, 580 (2d Cir. 1989). Discussion I. Initially, we note that the district court's view of the reach of the First Amendment is more restricted than the jurisprudence warrants. The First Amendment shields more than political speech and verbal expression; its protections extend to entertainment, Winters v. New York, 333 U.S. 507, 510 (1948); film, Joseph Burstyn, Inc. v. Wilson, 343 U.S. 495, 501-02 (1952); theater, Southeastern Promotions, Ltd. v. Conrad, 420 U.S. 546 (1975); music, without regard to words, Ward v. Rock Against Racism, 491 U.S. 781, 790 (1989); peaceful marches to express grievances to governmental authorities, Gregory v. Chicago, 394 U.S. 111, 112 (1969), Shuttlesworth v. Birmingham, 394 U.S. 147, 152 (1969); sit-ins by blacks to protest racial discrimination, Brown v. Louisiana, 383 U.S. 131, 141-42 (1966); the wearing of black arm bands to evidence disapproval of our involvement in Vietnam, Tinker v. Des Moines Independent Community School District, 393 U.S. 503, 505 (1969); the refusal to salute the flag as part of a regularized school activity, West Virginia State Board of Education v. Barnette, 319 U.S. 624, 632 (1943); and most recently, parades with or without banners or written messages, Hurley, 115 S. Ct. at 2345. "[T]he Constitution looks beyond written or spoken words as mediums of expression." Hurley, 115 S. Ct. at 2345. If the First Amendment reached only "expressions conveying a 'particularized message,'" its "protection would never reach the unquestionably shielded painting of Jackson Pollock, music of Arnold Schצnberg, or Jabberwocky verse of Lewis Carroll." Id. at 2345 (quoting from Spence v. Washington, 418 U.S. 405, 411 (1974)(per curiam). The First Amendment has surely been valued as essential to the preservation of a political democracy in this country; thus, even the pamphleteer espousing political sedition has been shielded from governmental suppression. See, e.g., Whitney v. California, 274 U.S. 357, 376 (1927) (Brandeis, J., concurring) ("even advocacy of violation [of the law], however reprehensible morally, is not a justification for denying free speech where the advocacy falls short of incitement and there is nothing to indicate that the advocacy would be immediately acted on"). The First Amendment's fundamental purpose, however, is to protect all forms of peaceful expression in all of its myriad manifestations. Abood v. Detroit Board of Education, 431 U.S. 209, 231 (1977) ("[i]t is no doubt true that a central purpose of the First Amendment '"was to protect the free discussion of governmental affairs."' (citations omitted). But our cases have never suggested that expression about philosophical, social, artistic, economic, literary or ethical matters . . . is not entitled to full First Amendment protection") (footnote omitted). See also Joseph Burstyn,Inc., 343 U.S. at 501 (motion pictures are fully protected expression that "may affect public attitudes and behavior in a variety of ways, ranging from direct espousal of a political or social doctrine to the subtle shaping of thought which characterizes all artistic expression"). The district court viewed the First Amendment's primary function as safeguarding the free flow of political and religious views, and hence felt sanguine about the ordinance's interference with appellants' "wish to sell their apolitical paintings." Bery, 906 F. Supp. at 170. The City apparently looks upon visual art as mere "merchandise" lacking in communicative concepts or ideas. Both the court and the City demonstrate an unduly restricted view of the First Amendment and of visual art itself. Such myopic vision not only overlooks case law central to First Amendment jurisprudence but fundamentally misperceives the essence of visual communication and artistic expression. Visual art is as wide ranging in its depiction of ideas, concepts and emotions as any book, treatise, pamphlet or other writing, and is similarly entitled to full First Amendment protection. 3 Indeed, written language is far more constricting because of its many variants--English, Japanese, Arabic, Hebrew, Wolof, 4 Guarani, 5 etc.--among and within each group and because some within each language group are illiterate and cannot comprehend their own written language. The ideas and concepts embodied in visual art have the power to transcend these language limitations and reach beyond a particular language group to both the educated and the illiterate. As the Supreme Court has reminded us, visual images are "a primitive but effective way of communicating ideas. . . a short cut from mind to mind." West Virginia State Board of Education, 319 U.S. at 632. Visual images and symbols, for example, are used in the Third World so that individuals who are unable to read may readily recognize the party or candidate they wish to vote for. One cannot look at Winslow Homer's paintings on the Civil War without seeing, in his depictions of the boredom and hardship of the individual soldier, expressions of anti-war sentiments, the idea that war is not heroic. Furthermore, written and visual expression do not always allow for neat separation: words may form part of a work of art, and images may convey messages and stories. As appellants point out, Chinese characters are both narrative and pictorial representations. Nahuatl, a language used by Aztec peoples in Central America, also incorporates pictures in its written language. Visual artwork is as much an embodiment of the artist's expression as is a written text, and the two cannot always be readily distinguished. The City argues that appellants' "expression" allegedly impinged by the Regulation is not in fact their art, but their peddling of the art. It argues that the sale of art is conduct, and in order to be constitutionally protected, the sale of protected material must be "inseparably intertwined with a 'particularized message.'" Young v. New York City Transit Authority, 903 F.2d 146, 153 (2d Cir.), quoting Spence, 418 U.S. at 410-11, cert. denied, 498 U.S. 984 (1990). The City further argues that appellants are free to display their artwork publicly without a license, they simply cannot sell it. These arguments must fail. The sale of protected materials is also protected. See Lakewood v. Plain Dealer Pub. Co., 486 U.S. 750, 756 n.5 & 768 (1988). "It is well settled that a speaker's rights are not lost merely because compensation is received; a speaker is no less a speaker because he or she is paid to speak." Riley v. Nat'l Fed'n of Blind of North Carolina, 487 U.S. 781, 801 (1988). In United States v. Nat'l Treasury Employees Union, U.S. , 115 S. Ct. 1003 (1995), the United States Supreme Court found that a ban on honoraria for government employees "imposes the kind of burden that abridges speech under the First Amendment," in part because "the denial of compensation for lower-paid, nonpolicymaking employees will inevitably diminish their expressive output" and will "impose[] a significant burden on the public's right to read and hear what the employees would otherwise have written and said." Id. at 1014-15. As in the present case, without the money, the plaintiffs would not have engaged in the protected expressive activity. Furthermore, the street marketing is in fact a part of the message of appellants' art. As they note in their submissions to the court, they believe that art should be available to the public. Anyone, not just the wealthy, should be able to view it and to buy it. Artists are part of the "real" world; they struggle to make a living and interact with their environments. The sale of art in public places conveys these messages. The district court seems to have equated the visual expression involved in these cases with the crafts of the jeweler, the potter and the silversmith who seek to sell their work. Bery, 906 F. Supp. at 167. While these objects may at times have expressive content, paintings, photographs, prints and sculptures, such as those appellants seek to display and sell in public areas of the City, always communicate some idea or concept to those who view it, and as such are entitled to full First Amendment protection. Courts must determine what constitutes expression within the ambit of the First Amendment and what does not. This surely will prove difficult at times, but that difficulty does not warrant placing all visual expression in limbo outside the reach of the First Amendment's protective arm. Courts have struggled with such issues in the past; that is not to say that decisions are impossible. See, e.g., Dallas v. Stanglin, 490 U.S. 19, 24-25 (1989) (social dance distinguished from expressive dance); Yurkew v. Sinclair, 495 F. Supp. 1248, 1253 (D. Minn. 1980) ("[w]herever the amorphous line of demarcation exists between protected and unprotected conduct for First Amendment purposes, . . . tattooing falls on the unprotected side of the line"). Furthermore, simply because the matter does not lend itself to judicial determination does not mean that it is not appropriate for local lawmakers and governmental bodies such as the City to tackle. 6 II. Having determined that appellants' artwork is entitled to full First Amendment protection, we turn now to an application of the appropriate constitutional test. In examining the constitutionality of a regulation that impinges on First Amendment activity, courts will apply a strict scrutiny analysis when the regulation discriminates on the basis of content, and a more lenient analysis to content-neutral regulations. Turner Broadcasting System, Inc. v. Federal Communications Comm'n, U.S. , 114 S. Ct. 2445, 2469 (1994). The district court labelled the ordinance content-neutral, since it raised no concerns over censorship. It is not clear that this ordinance is content-neutral, however; it distinguishes between written and visual expression in a manner that effectively bans one while subjecting the other to a more limited form of regulation. See, e.g., Minneapolis Star & Tribune Co. v. Minnesota Commissioner of Revenue, 460 U.S. 575, 592-93 (1983) (law that "targets individual publications within the press" must surmount a heavy burden to satisfy First Amendment strictures); Buckley v. Valeo, 424 U.S. 1, 18 (1976)(only regulations which do not discriminate among speakers or ideas are content-neutral). The ordinance's effective bar on the sale of artwork in public places raises concerns that an entire medium of expression is being lost. See, e.g., City of Ladue v. Gilleo, 512 U.S. 43 (1994); United States v. National Treasury Employees Union, U.S. , 115 S. Ct. 1003 (1995). We need not decide that issue, however, since the ordinance must fall even under the less restrictive yardstick the court applied. A content-neutral regulation may restrict the time, place, and manner of protected speech, provided it is "narrowly tailored to serve a significant governmental interest" and "leave[s] open ample alternative channels for communication." Ward, 491 U.S. at 791, quoting Clark v. Community for Creative Non-Violence, 468 U.S. 288, 293 (1984). The City certainly has a significant interest in keeping its public spaces safe and free of congestion. The license requirement as it relates to appellants, however, which effectively bars them from displaying or selling their art on the streets, is too sweeping to pass constitutional muster. See, e.g., Cincinnati v. Discovery Network, Inc., 507 U.S. 410, 429-30 (1993). The district court's failure to properly analyze the questions of narrow tailoring and alternative channels was an abuse of discretion that led to an incorrect result. The ordinance is a de facto bar preventing visual artists from exhibiting and selling their art in public areas in New York. The total number of licenses outstanding at any given time is a low 853. Those fortunate enough to possess one of these permits may automatically renew it annually which, of course, means that late-comers like appellants have little hope of securing a license in the foreseeable future. In addition to this all-but-impenetrable barrier, a 500-to-5000 person waiting list makes appellants' prospects of securing a license apparently nonexistent, a fact conceded at oral argument. 7 The City may enforce narrowly designed restrictions as to where appellants may exhibit their works in order to keep the sidewalks free of congestion and to ensure free and safe public passage on the streets, but it cannot bar an entire category of expression to accomplish this accepted objective when more narrowly drawn regulations will suffice. The City points to nothing on this record concerning its need to ensure street safety and lack of congestion that would justify the imposition of the instant prohibitive interdiction barring the display and sale of visual art on the City streets. See Wright v. Chief of Transit Police, 558 F.2d 67, 68-69 (2d Cir. 1977) (city must find less restrictive alternative than complete ban on newspaper vending in subways); Loper v. New York City Police Dep't, 999 F.2d 699, 704-05 (2d Cir. 1993)(street begging constitutes expressive conduct which cannot be totally barred without unconstitutional interference with First Amendment rights.) This is not to say that the display of large, cumbersome works that would block public traverse on the streets may not be subjected to discrete regulation as to time, place and location or indeed that both visual and written expression may not be so restricted by regulations addressed to particular areas of the City where public congestion might create physical hazards and public chaos. For example, requiring a license for a parade, Cox v. New Hampshire, 312 U.S. 569, 574 (1941), or for a vending machine, City of Lakewood, 486 U.S. at 760, or restricting the right to distribute newspapers through newsracks on public property not traditionally a place for public communication, Gannett Satellite Information Network v. Metropolitan Transportation Authority, 745 F.2d 767, 772 (2d Cir. 1984), are all valid exercises of state police power to control time, place and manner of public access to public spaces. The ordinance as it stands, however, cannot be considered merely a regulation designed for crowd management and control, or to prevent congestion or to keep the streets clear to allow unimpeded passage of the public over the City's thoroughfares. There exist specific sections of the Administrative Code which directly regulate time, place, manner and location of vending that already achieve these ends without such a drastic effect. See, e.g., Administrative Code § 20-465. Furthermore, the City's licensing exceptions for veterans and vendors of written material call into question the City's argument that the regulation is narrowly tailored. The City does not maintain control over the absolute number of vendors, since the exceptions are unlimited; the number 853 does not in and of itself control congestion. The City's control over congestion is largely maintained through the time, place and manner restrictions on vending that facilitate the flow of traffic, ease crowding and improve safety. 8 We turn now to a consideration of whether alternative channels of communication exist for appellants' protected expression. Appellants argue that no such alternatives exist. They contend that licenses are virtually impossible to obtain, and no other forum exists for the display of art by appellants, since museum and gallery space in New York City is drastically limited. The City states that alternatives exist; appellants may sell their artwork from their homes or seek permission to display it in restaurants and street fairs and the like. However, appellants are entitled to a public forum for their expressive activities. Southeastern Promotions Ltd., 420 U.S. at 556 (1975); Gold Coast Pub., Inc. v. Corrigan, 798 F. Supp. 1558, 1572 (S.D. Fla. 1992), aff'd in part, rev'd in part on other grounds, 42 F.3d 1336 (11th Cir. 1994), cert. denied, ___ U.S. ___, 116 S. Ct. 337 (1995). Displaying art on the street has a different expressive purpose than gallery or museum shows; it reaches people who might not choose to go into a gallery or museum or who might feel excluded or alienated from these forums. The public display and sale of artwork is a form of communication between the artist and the public not possible in the enclosed, separated spaces of galleries and museums. Furthermore, to tell appellants that they are free to sell their work in galleries is no remedy for them. They might not be at a point in their careers in which they are interested in reaching the public that attends exhibits at art galleries--if, indeed, they could get their works accepted for showing. Appellants are interested in attracting and communicating with the man or woman on the street who may never have been to a gallery and indeed who might never have thought before of possessing a piece of art until induced to do so on seeing appellants' works. The sidewalks of the City must be available for appellants to reach their public audience. The City has thus failed to meet the requirement of demonstrating alternative channels for appellants' expression. On the basis of this record before us, the City's requirement that appellants be licensed in order to sell their artwork in public spaces constitutes an unconstitutional infringement of their First Amendment rights. The district court abused its discretion in denying the preliminary injunction. Finally, we note that the district court was similarly incorrect in its rejection of appellants' argument under the Equal Protection Clause of the Fourteenth Amendment. The requirement that appellants' art cannot be sold or distributed in public areas without a general vendors license, while written material may be sold and distributed without a license, must fall for the same reasons outlined above. Since the ordinance does impermissibly impinge on a fundamental right, the district court incorrectly dismissed the equal protection argument under a rational basis test. Accordingly, the judgment of the district court is reversed. ---- Begin EndNotes ---- 1 Honorable Robert L. Carter of the United States District Court for the Southern District of New York, sitting by designation. 2 It is not clear whether this is the delay anticipated to receive a license or merely to be placed on the waiting list. 3 Serra v. U.S. General Services Admin., 847 F.2d 1045 (2d Cir. 1988) does not compel a different holding. In Serra, this court held that "artwork, like other non-verbal forms of expression, may under some circumstances constitute speech for First Amendment purposes." Id. at 1048. The court did not actually reach the question of the level of constitutional protection in artwork, however, since it found that "the First Amendment has only limited application in a case like the present one where the artistic expression belongs to the Government rather than a private individual." Id. 4 A language written and spoken in the Senegambia region of West Africa. 5 A language used by both indigenous and non-indigenous peoples in Paraguay. 6 The City proves itself ready to undertake the similarly difficult task of separating written from non-written materials. (See Aff. in Support of Cross-Motion for Summary J. at 2-3, reprinted in Joint Appendix at 196-97: e.g., baseball cards are written material, calendars and street maps are not.) There already exists in city ordinances a definition of "artist" that might serve as a helpful starting point: the New York Multiple Dwelling Law, Section 276 defines "artist" for the purpose of determining eligibility for living-work quarters earmarked for artists. 7 Richard Schrader, former Commissioner of the City's Department of Consumer Affairs, the department which creates policy regarding licensing of general vendors, states that in an average year 15% of the 853 licenses become available due to previous holders' failure to renew, the only manner in which a license becomes available. (Joint Appendix at 221). In 1990 and in 1991, no licenses were available. In 1993, the discovery of a bookkeeping error revealed that 553 rather than 853 licenses were outstanding. The Department distributed 100 licenses to individuals on the waiting list and issued 200 more by lottery. This is the only occasion when licenses have been awarded in this manner. Aside from this, "no new licenses were issued in the past fifteen years," and based on Schrader's "extensive experience and knowledge," he has "never learned of an artist being licensed to sell art work." (Joint Appendix at 221-223). 8 Even if the City were to adhere to a licensing system to regulate street art sales, there exist less intrusive means of issuing the licenses: one amicus suggests a rotating first-come, first-served lottery system for assigning a limited number of licenses. (Brf. amici curiae of the American Civil Liberties Union et al. at 26-27). The system employed by San Francisco might provide a model: certain areas are set aside for art sales and a weekly lottery assigns spots. (Joint Appendix at 313-14, 351). The district court made no mention of these potential alternatives